SINCE HER PARENTS WERE KILLED, VIVIENNE HAS ALWAYS FELT UNGROUNDED, SHUFFLED THROUGH THE FOSTER CARE SYSTEM. JUST WHEN LIBERATION FINALLY SEEMS POSSIBLE—DAYS BEFORE HER EIGHTEENTH BIRTHDAY—VIVIENNE IS HOSPITALIZED WITH SYMPTOMS NO ONE CAN EXPLAIN.
THE DOCTORS MAY BE PUZZLED, BUT DEACON, HER MYSTERIOUS NEW FRIEND, CLAIMS SHE HAS AN ACTIVE NEVERGENE. HIS FAR-FETCHED DIAGNOSIS COMES WITH A WARNING: SHE IS ABOUT TO BECOME AN INVOLUNTARY TEST SUBJECT FOR HUMANITARIAN ORGANIZATION FOR ORDER AND KNOWLEDGE—OR H.O.O.K.
VIVIENNE CAN EITHER ESCAPE TO NEVERLAND’S KENSINGTON ACADEMY AND LEARN TO FLY (DID HE REALLY JUST SAY FLY?) OR RISK STICKING AROUND TO BECOME A HUMAN LAB RAT.
BUT ACCEPTING A PLACE AMONG THE P.A.N. MEANS VIVIENNE MUST ABANDON HER LIFE AND FOSTER FAMILY TO SAFEGUARD THEIR SECRETS AND HIDE IN NEVERLAND’S SHADOWS… FOREVER.
Published with Filles Vertes Publishing
How did you come up with the idea for The P.A.N.?
I’ve always loved the Peter Pan story. One day I started imagining a world where Peter Pan was real and what he and other immortal teenagers would be up to today. And it all spiraled from there.
Who is your favorite and least favorite character from The P.A.N. and why?
I think my favorite character has to be Deacon. He has a problem with authority and an affinity for pranks which made him the most fun to write. As far as my least favorite character goes, I suppose I’d have to say Lawrence Hooke, but only because he’s an overall nasty person
If you could put The P.A.N. into three words, what would they be and why?
Peter Pan Reimagining
The “why” is fairly self-explanatory. This isn’t a retelling of a popular fairy tale, rather a reimagining putting Peter and the lost boys and girls in the 21st century.
What is your writing process like?
In general, I don’t start with an outline—that comes later in the process as I decide how to torture my characters. The first thing I usually write is the dialogue because it’s what I love most about books—seeing the interactions between the characters and how their voices develop. Then I flesh out the scenes from there.
Do you prefer stand alones or series?
Series. There’s something special about getting to revisit characters and seeing how their lives play out and I think the timeline is a bit more believable in romances.
Name three books you could read over and over again.
A Court of Mist and Fury by Sarah J. Maas
Emmie and the Tudor King by Natalie Murray
Caraval by Stephanie Garber
If you could take one character from any of your books and bring them to life, who would it be and why?
Deacon. The world needs more handsome guys who can fly (ha-ha)
Are you a plotter or a pantser?
Pantser all the way. Trying to plot hinders my creativity. I usually have the beginning and end scenes in my head and then let my characters dictate the middle.
If your writing could be described as a color, what would it be?
Do you have any advice for other writers?
Write what you love so it doesn’t feel like a chore.
Jenny grew up in Oakland, Maryland and currently lives in County Tipperary, Ireland with her lilting husband and two tyrannical children. Her love of reading blossomed the summer after graduating high school, when she borrowed a paperback romance from her mother during the annual family beach vacation.
From that sunny day forward, she has been a lover of stories with Happily-Ever-Afters. In early 2008, she wrote her first novel, The Mirrors at Barnard Hall. But it was not until she moved to Nashville, TN and met her mentor, Billy Block, that she was encouraged to self-publish the work in 2012.
Seven years, and two additional self-published works later, Jenny has signed with Filles Vertes Publishing for her next novel, The Pan, the first book in a NA Sci Fi-Romance trilogy.
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